On a Tunnel 18 Live Event (& Travel Shock)

First a little bit of news, and then a little bit of observation. First, I have decided to do a live stream event on Friday, May 29 at 8pm Eastern, both as a way to play live in a longer format, and also to do a little bit of a celebration. 

img200Tunnel 18 first played live during the summer of 1989. We missed our chance at a true 30th anniversary reunion, and in fact a true reunion sadly isn’t in the cards anymore. However, I do want to take some time not only to play, but also to remember some of the songs we wrote and played together, as well as showcase some of the things I’ve been working on. May 29 will be a series of originals and covers of the type that we used to play when we performed live … the kind we played by the pool in Donald’s backyard or over at Dione Rice’s house. 

I’m hoping that this will be as meaningful for you as it will be for me. Just the sheer fact that there is live music is something that has provided a level of comfort. 

I don’t know about you, but I am still very much in an unsettled place with the pandemic, and the efforts at social distancing and confinement. Even during the simple act of trying to change the strings on one of my guitars I find myself asking “where is…” and as often as not the item I am looking for is in a suitcase, a guitar bag, or some other form of luggage that has been sitting under a bed for the past 10 weeks. 

So much has changed since the last time I was on the road, and the last time we were all physically around friends. As I look at it now, any chance to be around friends, tell stories, make music, laugh a little – each of these is a precious reminder that we will get through this and we will be together again soon. And I can’t tell you how much I am looking forward to seeing you. 

In the meantime, please enjoy a little bit of music. Here’s an incredibly eclectic playlist that you might enjoy. Really hope you can join me on May 29!

-Chris

On The Other Coast

2015-12-02 15.53.18

San Diego, CA

So, this will be the last week on the road for a while, and a good chance to come back to solid footing.

I personally have this love/hate thing about travel.  On the one hand, I love seeing and exploring new places, hearing new music and bands (and used to be different radio, too).  Different food, and cities themselves are exciting – fun to be thrown into the unusual and different every once in a while.

IMG_0251And then there’s the other side: That part where I’m an introvert in an extrovert’s world. More to the point, where I miss my home, my friends, my family, and actually making music.

And I guess that takes us to the topic of a new lyric just written, Take Me Home. One of the first songs that I ever wrote back in the mid-80s had the same title. However, the theme of this song is now very different, as is the music.

The current version of the song came from one of my late-night jamming sessions, which I video record when things are going well and the ideas are flowing. In this particular case I also had a melody in my head, and worked out the chord progression from the melody.

The lyric came later. I somehow had the phrase “take me home” suggested to me from the music. However at this point in life “take me home” means something very different than it did back when I wrote that first song. Now it’s a lot about really discovering what home is, mixed with my own experiences of being on the road – a lot.

We’re going to try to put this one down for basic tracking over the next week, and maybe – just maybe – it’ll be one of those that we can demo on the sound cloud site before the end of the month.

On that topic, we did get basic tracking done for four songs over the weekend – Alice’s Dream, Pleased to Meet You, No One’s Coming, and All There Is to Say.  After a little bit of listening and reflection, all of them seem to have some good clay to play with, but there will be a lot more work to do before we’re to share them with you.

We only put out music that we would want to listen to.  These songs are on the way, but they’re not up to that standard yet!

Don’t forget – You can listen to our first album on Spotify here.

Satori in Geneva

File Nov 19, 5 09 37 PM

Geneva, NY

If you ever find yourself in Geneva, NY (a great little city in the Finger Lakes), you must go to Area Records & Music. Ask for Jeff. He gets it. I just walked in there a little while ago and talked about guitars, small guitar stores competing with the big guys, how Gibson and Fender are completely alienating their customer base, and why you make music in the first place.

He told me about how so many of the kids come in and they want to make money and impress girls. Invariably, these are the kids who come back in a couple of weeks wanting to return the guitar because it’s too hard to learn how to play. Anything that’s worthwhile doing is hard at first.

On top of that, the reason you learn how to play music is not to make money and to impress girls. That might be a useful side effect later, but the reason that you learn to play music is because there’s music inside you that you need to be able to play. There’s something inside you that needs to get out, and the instrument is the way it gets there.

The instrument is the tool that gives voice to your soul.

Shifting gears entirely…

The guys from Rush once said that they never had any outtakes from any albums, because why would you ever work on a song that you weren’t going to put on an album?

Kinda wish I had that discipline.

Instead, the first album had at least four songs that didn’t make it onto the album. Some of them made it onto the Soundcloud site, but will never actually make it to disk.   (They’ll be those “deep tracks” we pull out for extra special audiences live…)

And, already, Robbing the Cradle has been cut from 13 songs down to 11. Largely because the other two just don’t fit. It’s one of the struggles about writing an album rather than writing a song. The songs need to work together. They need to be of a theme, and of a feel. There are each like scenes from a movie, and need to hang together in order to tell the overall story.

So, what I’m getting around to saying in a fairly long way is that the album is taking longer to write, but is getting much better as it goes along.

The good news is that production has started on a couple of songs, and with a little bit of good luck, maybe we’ll have some new music coming your way before the end of the year. And buy new music I’m not just talking about one song, but maybe a few so you can get a flavor of where we’re going.

And don’t forget in the meantime, time and motion is available at CDbaby and you can listen on Spotify.

What do you call this thing, anyway?

Maine

Bangor, ME

A few pieces of news over the past couple of weeks, all of them good. First of all, just found out that our album is up on Spotify. Yay! Didn’t actually realize that was going to happen but I guess that’s all part and parcel of the CD Baby thing. Really very cool!

Also, looking to add a few open mic gigs in the Newton, Mass area (west of Boston) sometime over the next couple of months. We will post these as that all becomes a little bit clearer.

Finally, I found out quite to my surprise earlier today that some of our CDs have been making their way around Portland, ME a little bit. I sent a couple up to some friends, and they’ve been showing them around. Walked into a room earlier today and somebody said: “oh you’re the guy with the band, and that album!  It’s really cool stuff! Classic rock?”

So, this next thing is going to probably be a stupid question:  What do you call this stuff, anyway?

With been trying not to be too pedantic trying to classified as anyone thing. To me it’s always sounded like 90s alternative rock. Maybe y’all think it something else?

Please let us know. Just kinda curious.